What You Do Not Know About Good Compare and Contrast Essay Topics

What You Do Not Know About Good Compare and Contrast Essay Topics At the internet site you might be of course good excellent works that may be accomplished with respect to appropriate expenses. You have to present your topic, naturally, and also your thesis statement that has the function of indicating to your readers what is the probable path of the whole work. When a project is handed over to IT specialists, they frequently find many crucial issues in the event the detail have never been addressed. Take into consideration these topics and see if one feels best for you. Choosing the right topics might take a while in case you don't have a list of sample topics before you. Simply by merely purchasing compare and contrast topics around, it's possible to genuinely sense certain your personal written piece is wholly original then there's virtually not any copied material within it. So now you are aware of how to select the best compare and contrast topics and the various segme nts you want to address when writing. The topics you'll find here require an exceptional approach as you attempt to think of useful and accurate content. The Importance of Good Compare and Contrast Essay Topics If you're speaking about an essay for college level students, then you would want a topic that offers you a chance to display your degree of competency so far as understanding an issue. If you discover that you are trying hard to think of compare and contrast essay suggestions for your paper, then it's quite understandable, lots of people do. Therefore, without the correct guidance, young women and men wind up destroying their fruitful lives. The instance is India that's democracy not republic. The Chronicles of Good Compare and Contrast Essay Topics Compare and contrast essay is just one of the most fascinating assignments you are going to have at school or college. It is advised to look for the one which has a superior reputation and offers high-quality papers at inexpensive rates. The comparison and contrast essay is among the most typical varieties of academic write-ups you are going to have to write in middle school, higher school or in college. Once you establish the comparison items you needs to do some suitable research so you have sufficient info on both to be in a position to do a suitable comparison. It's needless to mention your topics ought to be precise and on point. Following that, you can't locate a best topic. A number of the essay topics below may appear to contain subjects that don't have anything in common. It's possible to use any as the subject of your essay particularly when you're not assigned any specific theme. You may also choose 1 topic at this time and begin practicing. You should research your topic to select three claims. Importance of an Interesting Topic If you've chosen a topic that doesn't interest you, it is going to be very tough for you to write on such a topic. The very first thing you ought to do is identify the form of compare and contrast essay which you are handling. Welcome to continue in touch by means of your paper writer controlling everything. You can get the ability to write and do anything you wish to a printed book so long as it belongs to you. You'll tackle various issues and explain several situations as you attempt to get the appropriate answer. Up in Arms About Good Compare and Contrast Essay Topics? If it comes to compare and contrast essay, there are two main sorts of essay structures. To make a great outline, you must have a comprehension of the format of compare and contrast essay. You are able to restate your thesis statement and point out a num ber of the arguments used over the full essay that backs it up. Whether you are prepared to compose your compare and contrast essay or you're in the practice of inventing your very own catchy topic it would be of assistance to check out compare and contrast essay examples to have a very clear picture of what you need to write. Once you get your completed essay, make certain to tell all your friends what a wonderful service it is and what's the ideal place to get cheap essays. If you aren't prepared to master the art of academic writing alone, there's absolutely no need to go the site of an official writing service for students and purchase an affordable paper written from scratch to stick out from the remainder of your peers! Additionally, a customer may ask the writer to submit part of the job for review and, if needed, ask them to make corrections. Understanding Good Compare and Contrast Essay Topics Such kind of essays enables the readers to think about the advantages and d isadvantages of two things so they can choose one out of them. For example an individual may select a topic like, life in the shoes of a werewolf. Tattoo is a type of art made by the qualified artists. Write about how tattoos are made.

The Irish And Indian War - 924 Words

While it is true that the British colonies in North America did stem from England, it is incredulous to think that a mere island nation, no matter how powerful or far reaching their empire, could ever hope to govern a continent a vast ocean apart. Between the French and Indian War and the subsequent taxation that it resulted in, the period of Benign Neglect was beginning to take a darker and more restrictive route, which would only go to instill in the minds of the American colonists that they were only a â€Å"means to an end† for Britain. Thomas Paine would only help to stoke the flames of the coming movement for American independence through his work â€Å"Common Sense† where he brought the hypocrisies and sins of the British government to light along with arguing why the colonies would be better off on their own. Within the contents of â€Å"Common Sense†, Paine would go toe-to-toe with the arguments of colonists who opposed independence in areas such as whet her or not England had the colonies’ best interest at heart, the true nature of balance between the British monarchy and Parliament, and whether or not the colonists could actually govern themselves. It was heavily argued by the loyalists that the American colonies greatly flourished under British control and that their future and happiness was depended on it. However, Thomas Paine said it best when addressing those statements by quoting â€Å"that because a child has thrived upon milk, that it is never to have meat† meaning thatShow MoreRelatedEffects Of The Collapse Of The British Empire : Decolonization1526 Words   |  7 Pages’ However, by the end of World War II (1939-1945), the imperial sun had begun to wane. Fueled by nationalistic sentiment, British colonies, dominions, and protectorates across the world called for independence. While some nations had a peaceful transition of power, others had a blood-filled and tiresome path towards sovereignty. By 19 74, the imperial sun had met the horizon--the once mighty empire reduced to a mere echo of what it once was. The struggle for Indian independence was a long and arduousRead More Use of Native American Mascots Should be Banned Essay1024 Words   |  5 PagesCalifornia there are crusades to get rid of school’s with Indian team mascots. There are other offensive team mascots aside from Indian mascots as the Imperial Valley College Arabs and the Hollywood High Sheiks. (Bustillo, 1). People from California are trying to pass a bill AB 2115 that would rid public schools of any racial or ethnic groups. (Boghossian, 1). This has been a issue since the late 1960’s. The National Congress of American Indians has been trying to rid team sports from using stereotypesRead MoreManifest Destiny Essay935 Words   |  4 Pages This mindset led to the Indian Removal Act, the Mexican-American War, the California Goldrush, and eventually the development of railroads across the continent which helped shape Americas revolution. Mexican-American War (1846-1848) A dispute over Texas being considered American soil. The discord ended with the signing of the Treaty of Guadalupe Hidalgo. American ultimately gained Texas, California, Nevada, Utah, Arizona, and New Mexico. (History.com Staff, 2009) Indian Removal Act (1830) was aRead MoreAspects Of The English ( Anglo American ) And Spanish Societies Essay1317 Words   |  6 Pagesnever had a unified identity hence arose difficulties in their reference by historians. Initially, Europeans referred to the natives as Indians. Christopher Columbus derived the term from his belief in discovery of a route to India. This was disputed by Amerigo Vespucci assertion that Americans were not Indians. After some time, the government of Europe enslaved Indians in condition that would be convert them to Christians. By settling in North of America, Spain begun protecting the boundaries of SouthRead MoreEssay on Nothing Like It in the World by Stephen E. Ambrose1210 Words   |  5 Pagestranscontinental railroad. For instance, Ambrose writes that the intense need of manual laborers during the railroad construction attracted immigrants mainly the Chinese and the Irish laborers (12). The Central Pacific Railroad (CPR) brought in Chinese labore rs in large numbers, while the Union Pacific Railroad (UPR) brought in large number of Irish immigrants. Ambrose also praises the central roles the immigrants played during the building of the transcontinental railroad. For example, he describes that the conclusionRead MoreBritish Influence in Canadian Government960 Words   |  4 Pagesfounded as a French colony in the 16th century. The original French colony was centered on the fur trade, but in the 18th century, the French and English struggled over control of North America. The French loss of Quebec in the French and Indian War (7 Years War) sealed the future of Canada and in fact North America as an English-speaking cultural area. At the time of Confederation (1867), there were 3.25 million people settled in the provinces that comprised Canada. Over the next three decades hundredsRead MoreDemographic Changes in America (1607-1914)1167 Words   |  5 Pagesto Canada after the United States declared independence from Great Brit ain. The early national era was a time of massive immigration and expansion for America. After the 1830’s, there was an onslaught of immigrants from all over the world. The Irish came to America because of the Great Potato Famine that was sweeping through Ireland. The California Gold Rush (1849) was another pull factor for immigrants; the search for gold attracted many Chinese immigrants. Nativist groups like the Know-NothingRead MoreThe World During World War I1645 Words   |  7 Pagesthe time of World War I, such occurrences influenced the literature and the authors of the time. The time the war took place, the world experienced technological advancements at an unimaginable pace. In addition to technology, the war also changed the fashion in which society worked. Women became more independent as more jobs were offered to them in order to aid the war cause. In addition, countries such as England experienced extreme poverty during and after the First World War occurred. This shapedRead MoreWilla Cather s My Antonia And O1655 Words   |  7 Pagesaccompanying the appearance of Indians. Fear of Indian’s was common among settlers, who told stories of great massacres and atrocities committed by tribes. When Indians approach, Per Hansa and neighboring settlers are indignant, stating that â€Å"there isn’t any doubt† the land they inhabit is theirs fearing the Indians may steal it or attack his family (Rà ¶lvaag 73). Perception of Indians uncivilized and barbaric contribute to their fear, as they â€Å"watched with anxious attention the Indian band as it crept up theRead MoreThe Slavery Of The Cotton Gin By Eli Whitney1586 Words   |  7 Pagesled in cotton production. Slaves were chained together and transported to these territories where they worked the cotton fields. Napoleon and Jefferson’s Louisiana purchase was in correlation with Napoleon’s interest more concerned with European war and economics rather than west ern states. Toussaint Louverture’s successful Haitian Revolution was one of the factors in Napoleon’s decision. The Haitian Revolution started as the free mixed race citizens rebelled and then slaves seized their opportunity

What Led to the Collapse of Consensus free essay sample

The 1950’s and early 1960’s was a time of consensus in the US. By the middle of the 60’s the US experienced a series of shocks which undermined consensus. The assassination of President Kennedy in Dallas in 1963. The differences in the civil rights movement. The escalation of the Vietnam War. All of these factors undermined American confidence to change the world and improve the country. By the late 60’s, US society was polarised: divided between different viewpoints: Youth culture; counter-culture, and multiculturism. The youth culture was created due to a baby boom in the 50’s and 60’s as this led to a large youth population. Most children stayed in school and university for longer. Most had more money because of the affluent society either from their parents of part-time jobs. As a result, they developed their own culture. Teenager became the term used to describe the years between childhood and adult years. The generation gap between adults and the teenager became obvious. J. D.Salinger’s â€Å"The Catcher in the Rye†, published in 1951 told the story of a restless teenager, Holden Caulfield who rejected the hypocrisy of adult life: â€Å"If you want the truth they’re all bunch of phonies†. The book was banned in schools in 15 states. Youth culture was the basis upon which consensus was destroyed. Rock ‘n’ Roll was a way of expressing the generation gap, unfortunately parents called it the devil’s music. Radio helped spread it with disc jockeys and the Top 20 with cheap 45 rpm singles and the LP in 1948 and juke boxes. Record sales were over $5000 million in 1960. The stars were Chuck Berry and Elvis Presley. Adults thought Elvis was obscene. The car became a symbol of restless youth. To cater for the mobile teenage and youth market, businessmen developed drive-in movie theatres and drive-in diners. Rock ‘n’ Roll was catalyst for the youth culture to develop, intensifying its effect on the collaps of consensus. Some of these young people became known as delinquents: young people who were in trouble with the law. Comics were often blamed. There was an increase in drunkenness and fighting. Movies were blamed, such as: Rebel without a Cause which starred James Dean. The Blackboard jungle featured rebellious students. Some blamed Rock ‘n’ Roll music. There was a fear of open revolt against society: â€Å"The gangster of tomorrow is the Elvis Presley of today†. These young people were actively working to bring down the consensus which had dominated the US for the past decade. This led to a sexual revolution. The was because of the greater freedom of the pill. The women;s movement and Supreme Court decision to make explicit books more availible. Movies also became more explicit. By the 1970’s the spreqda of benereal diseases and AIDs caused many young people to avoid casual relations. By the 80’s there an emphasis on virginity and celibacy. The dominant trends of independence, freedom, the consumer markey and wealth in youth culture remained. Pop music, fashion, smoking and drugs continued to be the expressions of youth cutlure. By now, the collaps of consensus was in full swing; the next development would be that of a counter-culture. Counter culture was the desire for an alternative. It grew because of the influence of the civlil right’s movement; the growing of the anti-war movement; the acceptance that everyone had rights. The increase on the university population from 16 million in 1960 to 25 million in 1970 helped also. Drugs had a dramatic effect. Perhaps the greatest pastor of counter-culture was Norman Mailer. He published 39 books, plays, screen plays, poems, articles. Some of his books included: The White Negro; An American Dream; Why Are We in Vietnam; Armies of the Night; and Of a Fire on the Moon. He co-founded the Village Voice, one of the earliest underground papers and articles. He saw the US and the USSR as totallitarian societies. He felt the US’s power structure destroyed individualism. Betty Friedman was also an advocate of counter-culture. She attacked the idea that women could only get satisfaction and fulfillment from rearing childrem and minding the house in her book called â€Å"The Feminine Mystique†. The main idea of the book was that women were the victim of a set of values and culture. This was hte feminine mystique. She later whote â€Å"The Second Stage† which assessed the state of the women’s movement ten years later. Both Mailer and Friedman, through the promotion of counter-culture, were helping the collapse of consensus in America. Hippies were paramount to the counter culture. They were mainly middle class and white college dropouts. They rejected material wealth and the consumer society. They rejected war, poverty and injustice. They promoted freedom of expression and questioned authority. They wore colourful clothes and wore their hair and beards long. They lived together in communes or tribes or families, practicing free love. They took drugs, paticularly marijuana and LSD and listened to acid rock. Some experimented with different religions. Some experiemented with different religions. The numbers were small living in the Haight-Ashbury district of San Francisco and the East Village of New York City. They spoke of peace, love and beauty. They were the free people. Hippies were the physical representation of the collapse of consensus. Integegral to the counter culture were rock festivals. Here, hippies folowed the music of â€Å"peace and love†. Groups like the Gratful dead and Jefferson Airplane. A number of rock festivals gave expression to this including: Crosby Stills and Nash at the San Fransisco bay area: Human Be-In and A Gathering of the Tribes and the most famous Woodstock, in NY, in 1969 when 300,000 turned up and there was no trouble. This was in contrast to the Rolling Stones’ Altamont Festivak where Hells Angels acted as security gaurds and treated the crowd badly, resultng in deaths. The Manson family showed another type of counter culture, where they murdered Sharon Tate and four friends. The publicity the hippies receieved created strong antagonism among working class youth, workers and middle class America. This increased class tension. Ronald Reagan when he was governor of California expressed this hostility when he declared: a hippie is a person who â€Å"dressed like Tarzan, has hair like Jane, and smells like Cheetah†. Until its demise, counter culture had a profound effect on the collapse of consensus. Multiculturalism was also a part of the collapse of consensus. During the 19th and early 20th century, the US became the melting pot because of the arrival of immigrants from different countries. They lived in seperate neighbourhoods but were expected to follow the American way of life. There was an expectation that social unity was needed to develop a strong state. People became Americanised through schools, the spread of popular culture and growing prosperity. This multiculurism wouldn’t have been a problem for consensus, had ethnic pride not developed. Black leaders encouraged black pride in their history. They wanted black studies in schools and universities. They wanted to trace their heritage. They wanted to be called African Americans. Mexican-Americans wanted to be called Chicanos. They wanted to be educated through Spanish. Some used the slogan Brown Power. Mexicon=Americans were part of the wider Hispanic community-people from Latin American and the Caribbean. By the 1990’s they were the largest minority group in the US. Native Americans of American Indians numbered 1 million in the 1960’s. They forced teh white government to help their social and economic situation. The Indan Self-Determination Act, 1975 was passed which gave Indians control oftheir reservations. Mulitculutralism was an ever present factor in the collapose of consensus. Ethinic pride developed because: the growth of the civil rights movement made people aware of their identity; many wanted a distinct identity that would counteract consumer culture; US immigration laws changed in 1965. This led to a break down in teh civil-rights movement. Malcolm X led a more radical group which advocated violence and supported black nationilism why they called â€Å"black power†. This showed a growing pride in being African-American. The Black Panters wanted to gain power â€Å"through the barrel of a gun†. The national origins quote which favoured Europeans was widened. Racial and dialect jokes were frowned upon. Descendents tried to discover their roots. Some home countries saw this as an opportunity for influence in America. Now multicultruism was working to bring about the collapse of consensus. There was opposition to mutliculurism. Some said it created divisions and undermoned beliefs that held the country together. These were part of the new right under President Reagan. Some argued it led to a dumbing down in education. That reading levels had declined in elementary schools. That increasing cultural divergence and rivalry could cause serious social problems and conflicts. There was a likelyhood of fragmented and seperate communities which could cause conflict in the future.

The Last Time I Tried to Persuade Someone free essay sample

The last time I tried to persuade someone, what the time when I tried to convince my brother to leave the gang life and his so called friends alone. It was the summer of 96 when I heard that my brother was locked up for breaking in a car with his so called friends and they got caught. The Judge gave them 6 months. He was the last one to come out for some reason unknown. I was thinking that his friends had put the whole thing on him. This was the first time I tried to talk to him in leaving his friends but he wouldnt listen to anything I said.He said to me that some of his friend has been with him since he was little. I told him that if you stay with these friends of yours you will always get in trouble. He Just walked away and said that he didnt want to hear it. We will write a custom essay sample on The Last Time I Tried to Persuade Someone or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page There were days I thought I was going to hear that my brother had been killed from the gang life he was in. Then I went to the military in deck. 00 and I would call home to see if he was k. My mom told me that he went to prison for a year. For the same things he did when he was younger.So while he was locked up I would write to him and tell him the mistakes he made. When he got out I made sure I had enough leave to go home so I could talk to him one more time before my ship pulls out for deployment. He said to me that while he was incarcerated he was doing a lot of thinking. He thought about his friend and also thought about leaving his friends because thats all the friends he ever new. I told him that if he continues to stay with his friends he will always get Into trouble.I also told him that If he wanted to make a ewe start that he would have to leave our old neighborhood. So I recommended to him that he should to move to Pasadena. I told him he doesnt know anal there and that would be a good place to start fresh and get a Job. He agreed to go there and try it out. I called our uncle and ask him to see If he could get my brother a Job. He said yes. Now many years later I think about that day we talk and I have been very happy with him and proud of him, but I wont tell him that He has a wonderful family now and a good Job.

Surrealism - The Movement and Artists Who Defied Logic

Surrealism - The Movement and Artists Who Defied Logic Surrealism defies logic. Dreams and the workings of the subconscious mind inspire art filled with strange images and bizarre juxtapositions. Creative thinkers have always toyed with reality, but in the early 20th century Surrealism emerged as a philosophic and cultural movement. Fueled by the teachings of Freud and the rebellious work of Dada artists and poets, surrealists like Salvador Dalà ­, Renà © Magritte, and Max Ernst promoted free association and dream imagery. Visual artists, poets, playwrights, composers, and film-makers looked for ways to liberate the psyche and tap hidden reservoirs of creativity. Features of Surrealistic Art Dream-like scenes and symbolic imagesUnexpected, illogical juxtapositionsBizarre assemblages of ordinary objectsAutomatism and a spirit of spontaneityGames and techniques to create random effectsPersonal iconographyVisual puns  Distorted figures and biomorphic shapesUninhibited sexuality and taboo subjectsPrimitive or child-like designs How Surrealism Became a Cultural Movement Art from the distant past can appear surreal to the modern eye. Dragons and demons populate ancient frescos and medieval triptychs. Italian Renaissance painter Giuseppe Arcimboldo  (1527–1593) used trompe l’oeil effects   to depict human faces made of fruit, flowers, insects, or fish. The Netherlandish artist Hieronymus Bosch  (c. 1450-1516) turned barnyard animals and household objects into terrifying monsters. Did Salvador Dalà ­ model his strange rock after an image by Hieronymus Bosch? Left: Detail from The Garden of Earthly Delights, 1503-1504, by Hieronymus Bosch. Right: Detail from The Great Masturbator, 1929, by Salvador Dalà ­. Credit: Leemage/Corbis and Bertrand Rindoff Petroff via Getty Images Twentieth-century surrealists praised The Garden of Earthly Delights and called Bosch their predecessor. Surrealist artist Salvador Dalà ­ may have imitated Bosch when he painted the odd, face-shaped rock formation in his shockingly erotic masterpiece, The Great Masturbator. However, the creepy images Bosch painted are not surrealist in the modern sense. It’s likely that Bosch aimed to teach Biblical lessons rather than to explore dark corners of his psyche. Similarly, Giuseppe Arcimboldo’s delightfully complex and freakish portraits were visual puzzles designed to amuse rather than to probe the unconscious. Although they look surreal, paintings by early artists reflected deliberate thought and conventions of their time. In contrast, 20th-century surrealists rebelled against convention, moral codes, and the inhibitions of the conscious mind.The movement emerged from Dada, an avant-garde approach to art that mocked the establishment. Marxist ideas sparked a disdain for Capitalist society and a thirst for social rebellion. The writings of Sigmund Freud suggested that higher forms of truth might be found in the subconscious. Moreover, the chaos and tragedy of World War I spurred a desire to break from tradition and explore new forms of expression.   In 1917, French writer and critic Guillaume Apollinaire used the term â€Å"surrà ©alisme† to describe Parade, an avant-garde ballet with music by Erik Satie, costumes and sets by Pablo Picasso, and story and choreography by other leading artists. Rival factions of young Parisians embraced surrà ©alisme and hotly debated the meaning of the term. The movement officially launched in 1924 when poet Andrà © Breton published the First Manifesto of Surrealism. Tools and Techniques of Surrealist Artists Early followers of the Surrealism movement were revolutionaries who sought to unleash human creativity. Breton opened a Bureau for Surrealist Research where members conducted interviews and assembled an archive of sociological studies and dream images. Between 1924 and 1929 they published twelve issues of La Rà ©volutionsur rà ©aliste, a journal of militant treatises, suicide and crime reports, and explorations into the creative process. At first, Surrealism was mostly a literary movement. Louis Aragon (1897–1982), Paul Éluard (1895–1952), and other poets experimented with automatic writing, or automatism, to free their imaginations. Surrealist writers also found inspiration in cut-up, collage, and other types of found poetry. Visual artists in the Surrealism movement relied on drawing games and a variety of experimental techniques to randomize the creative process. For example, in a method known as decalcomania, artists splashed paint on to paper, then rubbed the surface to create patterns. Similarly, bulletism  involved shooting ink onto a surface, and à ©claboussure involved spattering liquid onto a painted surface that was then sponged. Odd and often humorous assemblages of found objects became a popular way to create juxtapositions that challenged preconceptions. A devout Marxist, Andrà © Breton believed that art springs from a collective spirit. Surrealist artists often worked on projects together.The October 1927 issue of La Rà ©volution surrà ©aliste featured works generated from a collaborative activity called Cadavre Exquis, or Exquisite Corpse. Participants took turns writing or drawing on a sheet of paper. Since no one knew what already existed on the page, the final outcome was a surprising and  absurd composite. Surrealist Art Styles Visual artists in the Surrealism movement were a diverse group. Early works by European surrealists often followed the Dada tradition of turning familiar objects into satirical and nonsensical artworks. As the Surrealism movement evolved, artists developed new systems and techniques for exploring the irrational world of the subconscious mind. Two trends emerged:  Biomorphic (or, abstract)  and Figurative. Giorgio de Chirico. From the Metaphysical Town Square Series, ca. 1912. Oil on canvas. Dea / M. Carrieri via Getty Images Figurative surrealists produced recognizable representational art. Many of the figurative surrealists were profoundly influenced by Giorgio de Chirico (1888-1978), an Italian painter who founded the  Metafisica, or Metaphysical, movement. They praised the dreamlike quality of de Chiricos deserted town squares with rows of arches, distant trains, and ghostly figures. Like de Chirico, figurative surrealists used techniques of realism to render startling, hallucinatory scenes. Biomorphic (abstract) surrealists wanted to break entirely free from convention. They explored new media and created abstract works composed of undefined, often unrecognizable, shapes and symbols. Surrealism exhibits held in Europe during the 1920s and early 1930s featured both figurative and biomorphic styles, as well as works that might be classified as Dadaist. Great Surrealist Artists in Europe Jean Arp:  Born in Strassburg, Jean Arp (1886-1966) was a Dada pioneer who wrote poetry and experimented with a variety of visual mediums such as torn paper and wooden relief constructions. His interest in organic forms and spontaneous expression aligned with surrealist philosophy. Arp exhibited with Surrealist artists in Paris and became best known for fluid, biomorphic sculptures such as Tà ªte et coquille (Head and Shell). During the 1930s, Arp transitioned to a non-prescriptive style he called Abstraction-Crà ©ation. Salvador Dalà ­:  Spanish Catalan artist Salvador Dalà ­ (1904-1989) was embraced by the Surrealism movement in the late 1920s only to be expelled in 1934. Nevertheless, Dalà ­ acquired international fame as an innovator who embodied the spirit of Surrealism, both in his art and in his flamboyant and irreverent behavior. Dalà ­ conducted widely-publicized dream experiments in which he reclined in bed or in a bathtub while sketching his visions. He claimed that the melting watches in his famous painting, The Persistence of Memory, came from self-induced hallucinations. Paul Delvaux:  Inspired by the works of Giorgio de Chirico, Belgian artist Paul Delvaux (1897-1994) became associated with Surrealism when he painted illusionary scenes of semi-nude women sleep-walking through classical ruins. In L’aurore (The Break of Day), for example, women with tree-like legs stand rooted as mysterious figures move beneath distant arches overgrown with vines. Max Ernst:  A German artist of many genres,  Max Ernst (1891-1976) rose from the Dada movement to become one of the earliest and most ardent surrealists. He experimented with automatic drawing, collages, cut-ups, frottage (pencil rubbings), and other techniques to achieve unexpected juxtapositions and visual puns. His 1921 painting Celebes places a headless woman with a beast that is part machine, part elephant. The title of the painting is from a German nursery rhyme. Alberto Giacometti: Sculptures by the Swiss-born surrealist Alberto Giacometti (1901-1966) look like toys or primitive artifacts, but they make disturbing references to trauma and sexual obsessions. Femme à ©gorgà ©e (Woman with Her Throat Cut) distorts anatomical parts to create a form that is both horrific and playful. Giacometti departed from Surrealism in the late 1930s and became known for figurative representations of elongated human forms. Paul Klee. Music at the fair, 1924-26. De Agostini / G. Dagli Orti via Getty Images Paul Klee: German-Swiss artist Paul Klee (1879-1940) came from a musical family, and he filled his paintings with a personal iconography of musical notes and playful symbols. His work is most closely associated with Expressionism and Bauhaus. However, members of the Surrealism movement admired Klee’s use of automatic drawings to generate uninhibited paintings like Music at the Fair, and Klee was included in surrealist exhibitions.  Ã‚   Renà © Magritte. The Menaced Assassin, 1927. Oil on canvas. 150.4 x 195.2 cm (59.2 Ãâ€" 76.9 in). Colin McPherson via Getty Images Renà ©Ã‚  Magritte: The Surrealism movement was already well-underway when Belgian artist Renà © Magritte (1898-1967) moved to Paris and joined the founders. He became known for realistic renderings of hallucinatory scenes, disturbing juxtapositions, and visual puns. The Menaced Assassin, for example, puts placid men wearing suits and bowler hats in the midst of a gruesome pulp novel crime scene. Andrà © Masson: Injured and traumatized during World War I, Andrà © Masson  (1896-1987) became an early follower of the Surrealism movement and an enthusiastic proponent of  automatic drawing. He experimented with drugs, skipped sleep, and refused food to weaken his conscious control over the motions of his pen. Seeking spontaneity, Masson also threw glue and sand at canvases and painted the shapes that formed. Although Masson eventually returned to more traditional styles, his experiments led to new, expressive approaches to art. Joan Mirà ³. Femme et oiseaux (Woman and Birds), 1940, #8 from Mirà ³Ã¢â‚¬â„¢s Constellations series. Oil wash and gouache on paper. 38 x 46 cm (14.9 x 18.1 in). Credit: Tristan Fewings via Getty Images Joan Mirà ³: Painter, print-maker, collage artist, and sculptor Joan Mirà ³ (1893-1983) created brightly colored, biomorphic shapes that seemed to bubble up from the imagination. Mirà ³ used doodling and automatic drawing to spark his creativity, but his works were carefully composed. He exhibited with the surrealist group and many of his works show the influence of the movement. Femme et oiseaux (Woman and Birds) from Mirà ³Ã¢â‚¬â„¢s Constellations series suggests a personal iconography that is both recognizable and strange. Meret Oppenheim: Among the many works by Mà ©ret Elisabeth Oppenheim (1913-1985), were assemblages so outrageous, the European surrealists welcomed her into their all-male community. Oppenheim grew up in a family of Swiss psychoanalysts and she followed the teachings of Carl Jung. Her notorious Object in Fur (also known as Luncheon in Fur) merged a beast (the fur) with a symbol of civilization (a tea cup). The unsettling hybrid became known as the epitome of Surrealism.   Pablo Picasso: When the Surrealism movement launched, Spanish artist Pablo Picasso (1881-1973), was already lauded as a forefather of Cubism. Picasso’s Cubist paintings and sculptures were not derived from dreams and he only skirted the edges of the Surrealism movement. Nevertheless, his work  expressed a spontaneity that aligned with surrealist ideology. Picasso exhibited with surrealist artists and had works reproduced in  La Rà ©volution surrà ©aliste. His interest in iconography and primitive forms led to a series of increasingly surrealistic paintings. For example, On the Beach (1937) places distorted human forms in a dream-like setting. Picasso also wrote surrealistic poetry composed of fragmented images separated by dashes. Here’s an excerpt from a poem that Picasso wrote in November 1935: when the bull–opens the gateway of the horse’s belly–with his horn–and sticks his snout out to the edge–listen in the deepest of all deepest holds–and with saint lucy’s eyes–to the sounds of moving vans–tight packed with picadors on ponies–cast off by a black horse Man Ray. Rayograph,1922. Gelatin silver print (photogram). 22.5 x 17.3 cm (8.8 x 6.8 in). Historical Picture Archive via Getty Images Man Ray: Born in the United States, Emmanuel Radnitzky (1890-1976) was the son of a tailor and a seamstress. The family adopted the name â€Å"Ray† to hide their Jewish identity during an era of intense anti-Semitism.  In 1921, â€Å"Man Ray† moved to Paris, where he became important in the Dada and surrealist movements.Working in a variety of media, he explored ambiguous identities and random outcomes. His rayographs were eerie images created by  placing objects directly onto photographic paper. Man Ray. Indestructible Object (or Object to Be Destroyed), Oversized reproduction of 1923 original. Exhibition at Prado Museum, Madrid. Atlantide Phototravel via Getty Images Man Ray was also noted for bizarre three-dimensional assemblages such as Object to Be Destroyed, which juxtaposed a metronome with a photograph of a woman’s eye. Ironically, the original Object to Be Destroyed was lost during an exhibition. Yves Tanguy: Still in his teens when the word surrà ©alisme  emerged, French-born artist Yves Tanguy (1900-1955) taught himself to paint the hallucinatory geological formations that made him an icon of the Surrealism movement. Dreamscapes like Le soleil dans son à ©crin (The Sun in Its Jewel Case) illustrate Tanguy’s fascination for primordial forms. Realistically rendered, many of Tanguy’s paintings were inspired by his travels in Africa and the American Southwest. Surrealists in the Americas Surrealism as an art style far outlived the cultural movement that Andrà © Breton founded. The passionate poet and rebel was quick to expel members from the group if they didn’t share his left-wing views. In 1930, Breton published a Second Manifesto of Surrealism, which riled against the forces of materialism and condemned artists who didn’t embrace collectivism. Surrealists formed new alliances. As World War II loomed, many headed to the United States. The prominent American collector Peggy Guggenheim (1898-1979) exhibited surrealists, including Salvador Dalà ­, Yves Tanguy, and her own husband, Max Ernst. Andrà © Breton continued to write and promote his ideals until his death in 1966, but by then Marxist and Freudian dogma had faded from Surrealistic art. An impulse for self-expression and freedom from the constraints of the rational world led painters like Willem de Kooning (1904-1997) and Arshile Gorky (1904-1948) to Abstract Expressionism. Louise Bourgeois. Maman (Mother), 1999. Stainless steel, bronze, and marble. 9271 x 8915 x 10236 mm (about 33 feet high). On exhibit at the Frank Gehry-designed Guggenheim Museum in Bilbao, Spain. Nick Ledger / Getty Images Meanwhile, several leading women artists reinvented Surrealism in the United States. Kay Sage (1898-1963) painted surreal scenes of large architectural structures. Dorothea Tanning (1910-2012) won acclaim for photorealistic paintings of surreal images. French-American sculptor Louise Bourgeois (1911-2010) incorporated archetypes and sexual themes into highly personal works and monumental sculptures of spiders. Frida Kahlo. Self-Portrait as a Tehuana (Diego on My Mind), 1943. (Cropped) Oil on Masonite. Gelman Collection, Mexico City. Roberto Serra - Iguana Press / Getty Images In Latin America, Surrealism mingled with cultural symbols, primitivism, and myth. Mexican artist Frida Kahlo (1907-1954) denied that she was a surrealist, telling Time magazine,  Ã¢â‚¬Å"I never painted dreams. I painted my own reality.† Nevertheless, Frida Kahlos psychological self-portraits possess the other-worldly characteristics of surrealistic art and Magic Realism. The Brazilian painter Tarsila do Amaral (1886-1973) was midwife to a unique national style composed of biomorphic forms, distorted human bodies, and cultural iconography. Steeped in symbolism, Tarsila do Amaral’s paintings might be loosely described as surrealistic. However the dreams they express are those of an entire nation. Like Kahlo, she developed a singular style apart from the European movement. Although Surrealism no longer exists as a formal movement, contemporary artists continue to explore dream imagery, free-association, and the possibilities of chance. Sources Breton, Andrà ©. First Manifesto of Surrealism, 1924.  A. S. Kline, translator. Poets of Modernity, 2010. http://poetsofmodernity.xyz/POMBR/French/Manifesto.htmCaws, Mary Ann, editor. Surrealist Painters and Poets: An Anthology. The MIT Press; Reprint edition, 9 Sept 2002Greet, Michele. â€Å"Devouring Surrealism: Tarsila do Amaral’s Abaporu.†Papers of Surrealism, Issue 11, Spring 2015. https://www.research.manchester.ac.uk/portal/files/63517395/surrealism_issue_11.pdfGolding, John. â€Å"Picasso and Surrealism† in Picasso in Retrospect. Harper Row; Icon ed edition (1980)  https://www.bu.edu/av/ah/spring2010/ah895r1/golding.pdfHopkins, David, ed. A Companion to Dada and Surrealism. John Wiley Sons,  19 Feb 2016Jones, Jonathan.  Ã¢â‚¬Å"Its time to give Joan Mirà ³ his due again.†Ã‚  The Guardian.  29 Dec 2010.  Ã‚  https://www.theguardian.com/artanddesign/jonathanjonesblog/2010/dec/29/joan-miro-surrealism-tate-modernâ€Å"Paris: The Heart of Surrealism.† Matteson Art.  25 March 2009 mattesonart.com/paris-the-heart-of-surrealism.aspx La Rà ©volution surrà ©aliste [The Surrealist Revolution], 1924-1929. Journal Archive.  Ã‚  Ã‚  https://monoskop.org/La_R%C3%A9volution_surr%C3%A9alisteMann, Jon. â€Å"How the Surrealistic Movement Shaped the Course of Art History.†Ã‚  Artsy.net. 23 Sept  2016  Ã‚  https://www.artsy.net/article/artsy-editorial-what-is-surrealism MoMA Learning. â€Å"Surrealism.†Ã‚  https://www.moma.org/learn/moma_learning/themes/surrealismâ€Å"Paris: The Heart of Surrealism.† Matteson Art.  25 March 2009 mattesonart.com/paris-the-heart-of-surrealism.aspxâ€Å"Paul Klee and the Surrealists.† Kunstmuseum Bern - Zentrum Paul Klee  https://www.zpk.org/en/exhibitions/review_0/2016/paul-klee-and-the-surrealists-1253.htmlRothenberg, Jerome Rothenberg and Pierre Joris, eds.  A Picasso Sampler: Excerpts from:  The Burial of the Count of Orgaz, Other Poems  (PDF) ubu.com/historical/picasso/picasso_sampler.pdfSooke, Alastair. â€Å"The Ultimate Vision of Hell.â €  The State of the Art, BBC. 19 February 2016  bbc.com/culture/story/20160219-the-ultimate-images-of-hell Surrealism Period. Pablo Picasso.net  pablopicasso.net/surrealism-period/Surrealist Art. Centre Pompidou Educational Dossiers. Aug  2007  http://mediation.centrepompidou.fr/education/ressources/ENS-surrealistart-EN/ENS-surrealistart-EN.htm#origins

German V-2 Rocket in World War II

German V-2 Rocket in World War II In the early 1930s, the German military began to seek out new weapons that would not violate the terms of the  Treaty of Versailles. Assigned to aid in this cause, Captain Walter Dornberger, an artilleryman by trade, was ordered to investigate the feasibility of rockets. Contacting the  Verein fà ¼r Raumschiffahrt  (German Rocket Society), he soon came in contact with a young engineer named Wernher von Braun. Impressed with his work, Dornberger recruited von Braun to aid in developing liquid-fueled rockets for the military in August 1932. The eventual result would be the worlds first  guided ballistic missile, the V-2 rocket. Originally known as the A4, the V-2 featured a range of 200 miles and a maximum speed of 3,545 mph. Its 2,200 pounds of explosives and liquid propellant rocket engine allowed Hitlers army to employ it with deadly accuracy. Design and Development Commencing work with a team of 80 engineers at Kummersdorf, von Braun created the small A2 rocket in late 1934. While somewhat successful, the A2 relied on a primitive cooling system for its engine. Pressing on, von Brauns team moved to a  larger facility at Peenemunde on the Baltic coast, the same facility that developed the V-1 flying bomb, and launched the first A3 three years later. Intended to be a smaller prototype of the A4 war rocket, the A3s engine nonetheless lacked endurance, and problems quickly emerged with its control systems and aerodynamics. Accepting that the A3 was a failure, the A4 was postponed while the problems were dealt with using the smaller A5. The first major issue to be addressed was constructing an engine powerful enough to lift the A4. This became a seven-year development process that led to the invention of new fuel nozzles, a pre-chamber system for mixing oxidizer and propellant, a shorter combustion chamber, and a shorter exhaust nozzle. Next, designers were forced to create a guidance system for the rocket that would allow it to reach the proper velocity before shutting off the engines. The result of this research was the creation of an early inertial guidance system, which would allow the A4 to hit a city-sized target at a range of 200 miles. As the A4 would be traveling at supersonic speeds, the team was forced to conduct repeated tests of possible shapes. While supersonic wind tunnels were built at Peenemunde, they were not completed in time to test the A4 before being put into service, and many of the aerodynamic tests were conducted on a trial and error basis with conclusions based on informed guesswork. A final issue was developing a radio transmission system that could relay information about the rockets performance to controllers on the ground. Attacking the problem, the scientists at Peenemunde created one of the first telemetry systems to transmit data. Production and a New Name In the early days of  World War II, Hitler was not particularly enthusiastic about the rocket program, believing that the weapon was simply a more expensive artillery shell with a longer range. Eventually, Hitler did warm to the program, and on December 22, 1942, authorized the A4 to be produced as a weapon. Though production was approved, thousands of changes were made to the final design before the first missiles were completed in early 1944. Initially, production of the A4, now re-designated the V-2, was slated for Peenemunde, Friedrichshafen, and Wiener Neustadt, as well as several smaller sites. This was changed in late 1943 after Allied bombing raids against Peenemunde and other V-2 sites erroneously led the Germans to believe their production plans had been compromised. As a result, production shifted to underground facilities at Nordhausen (Mittelwerk) and Ebensee. The only plant to be fully operational by wars end, the Nordhausen factory utilized slave labor from the nearby Mittelbau-Dora concentration camps. It is believed that around 20,000 prisoners died while working at the Nordhausen plant, a number that far exceeded the number of casualties inflicted by the weapon in combat. During the war, over 5,700 V-2s were built at various facilities. Operational History Originally, plans called for the V-2 to be launched from massive blockhouses located at Éperlecques and La Coupole near the English Channel. This static approach was soon scrapped in favor of mobile launchers. Traveling in convoys of 30 trucks, the V-2 team would arrive at the staging area where the warhead was installed and then tow it to the launch site on a trailer known as a Meillerwagen. There, the missile was placed on the launch platform, where it was armed, fueled, and the gyros set. This set-up took approximately 90 minutes, and the launch team could clear an area in 30 minutes after launch. Thanks to this highly successful mobile system, up to 100 missiles a day could be launched by German V-2 forces. Also, due to their ability to stay on the move, V-2 convoys were rarely caught by Allied aircraft. The first V-2 attacks were launched against Paris and London on September 8, 1944. Over the next eight months, a total of 3,172 V-2 were launched at Allied cities, including London, Paris, Antwerp, Lille, Norwich, and Liege. Due to the missiles ballistic trajectory and extreme speed, which exceeded three times the speed of sound during descent, there was no existing and effective method for intercepting them. To combat the threat, several experiments using radio jamming (the British erroneously thought the rockets were radio-controlled) and anti-aircraft guns were conducted. These ultimately proved fruitless. V-2 attacks against English and French targets only decreased when Allied troops were able to push back Germans forces and place these cities out of range. The last V-2-related casualties in Britain occurred on March 27, 1945. Accurately placed V-2s could cause extensive damage and over 2,500 were killed and nearly 6,000 wounded by the missile. Despite these casualties, the rockets lack of a proximity fuse reduced losses as it frequently buried itself in the target area before detonating, which limited the effectiveness of the blast. Unrealized plans for the weapon included the development of a submarine-based variant as well as the construction of the rocket by the Japanese. Postwar Highly interested in the weapon, both American and Soviet forces scrambled to capture existing V-2 rockets and parts at the end of the war. In the conflicts final days, 126 scientists who had worked on the rocket, including von Braun and Dornberger, surrendered to American troops and assisted in further testing the missile before coming to the United States. While American V-2s were tested at the White Sands Missile Range in New Mexico, Soviet V-2s were taken to Kapustin Yar, a  Russian rocket launch and development site two hours east of Volgograd. In 1947, an experiment called Operation Sandy was conducted by the US Navy, which saw the successful launch of a V-2 from the deck of the  USS Midway (CV-41). Working to develop more advanced rockets, von Brauns team at White Sands used variants of the V-2 up until 1952. The worlds first successful large, liquid-fueled rocket, the V-2 broke new ground and was the basis for the rockets later used in the American and Soviet space progra ms.

Service letters Essay Example | Topics and Well Written Essays - 750 words

Service letters - Essay Example In addition, a good friend of the family was talking coffee with us, and she commented about the young man to me, claiming that he had once stayed with her when one of the machines broke down until it was repaired. Your juice stores have always given me excellent service and acts, as a place for me to meet my friends. I always feel comfortable even when I am not having a drink because the waiters know that I am a regular visitor. I have noticed that the waiters, including Mr. Rodman, always try to make the customer’s experience much better, which must be difficult with all the diverse people who visit the store. These groups always want different flavors, as was the case with my nephews. One of them wanted a Pina Colada, while the others wanted a Strawberry Julius and an Orange Julius respectively. Even with the long line behind us, Mr. Rodman pulled more than fifteen colored cups out of the sleeve until he had the right ones, after which he made beverages for all of us, chatting up my nephews. We were all very grateful. I find his attitude brilliant because it is not possible to train understanding and empathy, which means that this is one of your requirements for potential employees, especially as I have heard the same complements from my friends. I felt like Mr. Rodman showed maturity and understanding from his experience of serving families and small children. Even though, buying juice is not the most memorable moment of anyone’s day, I always remember to visit it every time I come to the mall. I have also learnt a lesson from this experience, which is that understanding and maturity may be more costly and elicit more opinions, but it creates loyalty for customers. This is not in any training manual, but I feel that many stores have a lot to learn from you. I know that I will stay a loyal customer to your business. Thank you. I am writing this letter as a complaint about the terrible service